quilt block from photo


I just completed a quilt honoring a Viet Nam veteran. It was a privilege to make this quilt and I had some research to do to get it right.

 

He received the quilt this week and this is what he said: ”¬†Just received it. I am blown away, far better than I ever expected. Thanks for the card, I know you put a lot of Love into it, believe me it shows. We have got to get together sometime for sure. Take care ”

That veteran is my uncle. He was in Viet Nam when I was a kid. Every night I would watch the news to make sure he was ok and then pray he would be okay the next night. Somehow I thought Walter Cronkite would tell is if something happened to him. Childhood innocence, I guess.

Anyway it makes me smile to know I could honor him and give a piece of my heart to him in this way.

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The statue of liberty was made from a photo I took. It was appliqued.

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The boots, rifle and helmet were drawn on fabric, and the soldiers and helos were painted and embroidered.

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A quilt label was embroidered for the back commemorating the quilt and the date of construction.

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This section is a panel I quilted with an additional layer of batting to emphasize the eagle and the waves in the flag. There is an embroidered label on this portion that commemorates the years and locations off service.

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Overall views of the left and right sides of the quilt. I arranged this layout so that the quilt can be displayed across the foot of a bed or across the back of a couch. When you commission a custom quilt, you can request a vertical or horizontal set-up depending on how you want to display it in your home.

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This block is made from a photo. I take the photo media to a printer and have two 11×17 photos printed on regular paper. One serves as my “go to” or master and the other is cut into pattern pieces. In this example, the skyline was cut out as one piece. The paper was used as a pattern to cut the dark blue fabric into the skyline. I used a glue stick to secure the skyline fabric to the cloudy sky fabric. Once the glue stick dried, I used the buttonhole stitch feature on my machine to outline the skyline and secure it permanently to the sky background.

The next section of the photo was a line of trees appearing between the skyline and the lake. I used a fabric in a similar tone to that in the photo and let it represent the treeline. This was also cut out using the paper as the pattern for the fabric. The tree fabric was then glued on top of the skyline portion of the block with a glue stick. Having the master photo available is very helpful in deciding where to place the treeline on the block. When the glue stick dried, I once again used the buttonhole stitch to secure the treeline to the skyline. This made a stitching of 3 layers, but the machine seemed to have no problem with this thickness. When you stitch through dried glue stick, the needle and thread do not become sticky at all and the fabrics remain flat without interfacing or paper behind as can be required with a wide satin stitch.

The lake composed the entire foreground of this photo. I placed a light blue fabric under the tree line, glued it in place with the glue stick and then buttonhole stitched the bottom of the treeline to the water fabric. I used the rotary cutter and cutting mat to trim the sides of the “water” and align them with the skyline and treeline.

My Dallas Skyline block was now complete. I placed sashing around the block and prepared to incorporate it into the quilt.

When the quilting was done, I used a pattern of small choppy waves for the water quilting and swirling wind for the sky quilting. The city skyline was outlined in the quilting.

This photo was taken from the shore of White Rock Lake in Sunset Bay.

Dallas Skyline on Quilt